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Welcome to the Database Correction page. This page is for letting me or the other editors know of corrections that need to be made. Please read the posting instructions carefully.
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| Friday May 10 09:38:26 2024 [19182] Fifty Shades of Grey (2015) aka 50 Shades of Grey |
| Having now seen this film (at last!), I realise that the OP could have done it more justice. This update offers corrections and additions, including scenes and tags. Description: Completists and feet people: start at 42 min, during which scene, Christian Grey holds Anastasia's (Dakota Johnson) wrists in a spreadeagle on a bed; there's a nice foot shot - ecstasy. Then, at 45 min, Ana, draped in a bedcover but barefoot, crosses the room in which Grey is playing the piano. A few moments later, he carries her, now without her cover, out again. At 47 min, there's a brief naked-feet shot, and in the next minute, a naked Ana has her hands bound in front by Grey with a tie. He pushes her onto a bed, places her hands above her head, but does not restrain them there. She promises not to move them, but her arousal prevents her keeping her promise. He thrusts them back up, and tells her to stay still, which she then does until 50 min, when the arrival of his mother forces them to stop, and Grey to release Ana. At 1:02, Grey asks, "Is this what you want?", proffering his tie. She nods and holds forth her wrists. She has her hands bound together again, but this time, Grey attaches them over her head, to the bedframe, causing her to giggle. He begins to pull off her clothes. We see a flash of a bare foot at 1:03, and then Grey pulls her T-shirt off her breasts and onto her upper arms, across her face. He rolls it slightly and makes a blindfold of it. After a few moments' sensation play with an ice-cube, Grey flips her, hands still bound to the bed, onto her front, spanks her, and then raises her hips to enable her to receive him. At 1:17, Ana's reaction to Grey's proposal for a toast leads him to say, "Roll your eyes at me again and I will take you across my knee." She is amused and intrigued. Moments later, however, she is at it again, and so Grey leads her to a sofa, pulls her gently over his knee, and ensures she knows why she is in the position she finds herself. He raises her dress, and lowers her panties. Two firm swats on her bare rump later, he asks if she wants more; silently, she indicates she does. They are having fun. Grey says, "Welcome to my world," he draws up her panties, tidies her dress, and raises her back onto her knees, during which there is a brief shot of her heels. After a kiss, he raises her onto her feet. At 1:23, Ana is introduced to Grey's playroom. "Eyes down," he says. "Take off your shoes," and we see her softly kick off her flats. We see that her legs and feet are now bare. "Arms above your head." She complies, and Grey, behind her, lifts off her light, cotton dress, leaving her only in her panties. As she kneels in a submissive posture, Grey instructs her: "Hold out your hand". Grey draws a crop lightly down her neck and arm, and then delivers a light swat on her open hand. Ana acknowledges that it didn't hurt. "You see? Most of your fear is in your head." At 1:26, Ana has her hands handcuffed over her head with padded leather cuffs to a frame lowered from the ceiling, and she is lightly caressed by Grey's fingertips. Gently, he removes her panties and then strokes her again, this time with the crop. Then he delivers a firm blow to her rump, which she enjoys. Caresses and two more, gentler, swats to other parts of her body ensue. Then he ties her hands in front with red rope, and attaches her to a brass ring at the foot of the bed at mattress height, causing her to bend forward, ready for a spank with his hand. Fondling, hair grabbing, strong handling, a further spank, and sex ensue - with continuity errors! The scene ends with Grey carrying Ana in a long, soft dressing gown back to her bedroom. At 1:45, Ana is in the playroom, lying naked on a bed, and she has her hands spread and tied to metal rings at the bed's foot with red rope. Grey checks that she has remembered her safe words, and then ties her (bare) ankles to rings at the head of the bed with more of the rope. (Note: there are too few turns of rope at her wrists or ankles for safety; Grey ought to have known better!) He then blindfolds her, teases her with a peacock feather and then a leather flogger before delivering several blows with it. Artful slow-motion prevents us being sure how strong the strokes are, but they are evidently strong enough to cause her to writhe, although not so strong to cause suffering. (Note: in this phase, and what we are led to believe is the subsequent lovemaking, the movement permitted by the bondage and the poor rope restraint would have caused severe chafing, at least. Not good, given that, for many people, this tale is an introduction to the pleasures of bondage.) Feet people will want to hang on into the next scene for the brief shot of Ana again walking barefoot to the piano. At the end of the scene, Ana asks for punishment, to "show me what you want to do to me [...] It's the only way I can understand". Back in the playroom, at 1:51, Grey selects a belt from a rack on the wall, and then checks, "Are you sure about this?" "Yes," she replies. She raises her arms, and Grey, standing behind her, removes her T-shirt. We see her in full from the side as Grey removes her remaining item of clothing, boyshort panties. At his instruction, she bends forward to place her torso and one side of her face flat on a highly-polished, rolled-edge table; she is not restrained. He will hit her six times with the belt, and she is to count with him. This time there is no caress, or soft play, and we see the reaction in her face and feet, including at the end, when Grey drops the belt to the floor behind her feet. Now Grey can be gentle, but Ana won't have it, and, still naked, leaves the room. Feet completists will want to stay for the next scene, in which we see Ana on her bed in her dressing gown and bare feet. Tags: country_us, bonddesc_AOH, bonddesc_bed, bonddesc_handsinfront, bonddesc_handsspread, bonddesc_handstogether, bonddesc_spreadeagle, bonddesc_suspension, bonddesc_blindfold, carry_cradle, ending_release, ending_none, footwear_bare, footwear_heels, onscreen_tying, outfit_underwear, outfit_nudity, restraint_rope, restraint_cloth, restraint_leathercuffs |
| Atame |
| Friday May 10 09:50:35 2024 Re: [19182] Fifty Shades of Grey (2015) aka 50 Shades of Grey |
| On May 10 2024 Atame wrote: > Having now seen this film (at last!), I realise that the > OP could have done it more justice. This update offers I couldn't replace the existing entry due to the size of your update, so I deleted it and added your update as a new entry. |
| Gagster |
| Friday May 10 10:17:35 2024 Re: [19182] Fifty Shades of Grey (2015) aka 50 Shades of Grey |
| On May 10 2024 Gagster wrote: > On May 10 2024 Atame wrote: > > the OP could have done it more justice. > I couldn't replace the existing entry due to the size of > your update, so I deleted it and added your update as a > new entry. Many thanks! Sorry about the extra work for you, but film was definitely worth more than the original post had us believe. |
| Atame |
| Friday May 10 15:35:02 2024 Re: [19182] Fifty Shades of Grey (2015) aka 50 Shades of Grey |
| On May 10 2024 Gagster wrote: > I couldn't replace the existing entry due to the size of > your update, so I deleted it and added your update as a > new entry. For the future, you can do it in sections without the software getting concerned. |
| The Engineer |
| Friday May 10 17:20:50 2024 Re: [19182] Fifty Shades of Grey (2015) aka 50 Shades of Grey |
| On May 10 2024 The Engineer wrote: > On May 10 2024 Gagster wrote: > > I couldn't replace the existing entry due to the > size of > > your update, so I deleted it and added your update > as a > > new entry. > For the future, you can do it in sections without the > software getting concerned. In this case, it was just easier to add the new entry and delete the original. The new update is so large that it would have taken 6-8 edits to put it all in and I was concerned that I would miss a paragraph, or put something in the wrong order. |
| Gagster |
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